January 2011
"micro_saxo_phone, edition
II", CDR Laubhuette Production M10 from 2008 gave an overview
about what I was trying to state within the traditional course of my former
solo recording on Side A of the LP "Plan Eden" from 1986/7 where I
had begun to use electronic devices & effects in combination with solo
tenorsax, besides some usage of a harmonizer here & there in the early years. On "micro_saxo_phone, edition II" I used baritonsax, tenorsax, alto, sopran,
bassclarinet, breathe & saliva noise multiphonics and even bowed the saxes’
bodies (con arco) during blowing and doing percussion with the instrument’s
keys.
On "micro_saxo_phone.edition III" I extended the language by means of using the sounds of the key springs which create a kind of meditative Asian feel and also by texts.
I searched for finding a way to voice words
during blowing (e.g. at the beginnung of "doublespeak" and tracks
14,15), or underlined words (and other stuff) that I had recorded on cassette
in 1972 (when I was 23) or by dubbing an interview with Japanese art
photographer Nobuyoshi Araki which I had recorded in 1998 in a kind of double
voicing. The same track also contains a sample of Korean Gagok which is a kind
of fake classical music - from some decades ago - made in Korea.
"doublespeak" is the exception - as a composition – within the solos,
as is "chukyo" using some of my eguitar recordings (as well as track
3). There are also some "classical" solos (without all effects or
edits): track 9, 10 (underlined alto solo from 1972) and 13.
With that title "doublespeak" I also
refer to George Orwell’s term "doublethink", which means the ability
to believe contradictory ideas simultaneously. And there are more doublespeak
titles here, as "surplussed", "twonky" (software designers’
jargon inspired by a 1953 sci-fi film starring Hans Conried and Gloria Blondell
about a TV that is really an alien life form) etc. Other titles refer to themes
and authors that I am also dealing with these days (e.g. Ray Kurzweil, Terence
McKenna,) . "chukyo" is a dedication to Chukyo University in Nagoya,
Japan, where I had been invited by the above mentioned Carl Stone to lecture
and had met Fomal Haut, a great artist & pioneer of computer graphics.
Alfred 23 Harth, December MMX
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